ALMA ERRANTE - ESCUELA IA 20 PROMPTS RAPIDOS PARA SUNO Regla: copia, pega y cambia al menos una cosa. 01. RAP NARRATIVO rap narrativo contemporaneo, 102 BPM, bateria seca, bajo profundo, piano oscuro minimo, voz cercana, versos con espacio, estribillo corto y memorable, final seco 02. RUMBA URBANA rumba urbana moderna, 106 BPM, guitarra nylon ritmica, palmas discretas, bajo calido, voz con caracter, versos ligeros, estribillo luminoso, produccion organica 03. TRAP OSCURO dark trap, 138 BPM halftime feel, deep 808, sparse piano, dry drums, tense atmosphere, intimate male vocal, restrained hook, no glossy pop layers 04. LO-FI NOCTURNO lo-fi hip hop, 74 BPM, dusty Rhodes, soft drums, warm bass, late-night atmosphere, instrumental, subtle vinyl texture, low and intimate mix 05. POP ORGANICO organic pop, 96 BPM, acoustic guitar, warm bass, soft live drums, intimate vocal, simple verse, wide chorus, natural dynamics, clean ending 06. CINEMATICO cinematic instrumental, slow build, felt piano, low strings, restrained percussion, emotional arc from fragile to powerful, wide final section, no trailer cliches 07. ROCK INDIE indie rock, 118 BPM, dry live drums, jangly guitar, melodic bass, slightly rough vocal, compact verses, energetic chorus, analog warmth 08. AFRO-HOUSE SOBRIO afro house, 122 BPM, deep percussion, hypnotic bassline, minimal vocal phrases, organic textures, gradual arrangement, elegant club energy 09. VOZ MAS HUMANA keep the arrangement, make the lead vocal closer, less polished, clearer consonants, natural breaths, less pitch-perfect, no glossy autotune 10. MAS CONTRASTE keep tempo and harmony, reduce instrumentation in the verse, create tension before the chorus, make the chorus wider and more energetic without adding a new genre 11. SEGUNDO VERSO MAS RAPIDO keep the same song identity, make verse 2 rhythmically denser with a faster vocal pocket, maintain the same voice and instrumentation 12. FINAL SECO shorten the last chorus, remove fade out, stop the arrangement immediately after the final lyric, no long outro 13. INTRO BREVE maximum 4-bar intro, establish the core texture immediately, bring the lead vocal early, no spoken introduction 14. MENOS CAPAS simplify the arrangement, remove decorative layers, keep drums, bass, one harmonic instrument and lead vocal, create space around the lyric 15. ESTRIBILLO MAS RECORDABLE keep the lyrical idea, shorten the chorus phrases, repeat one central line naturally, widen melody slightly, avoid stadium-pop cliches 16. EXCLUDE LIMPIO dembow, EDM drop, glossy autotune, female backing vocals, long spoken intro, excessive ad-libs, fade out 17. MAS GROOVE keep harmony and vocal identity, make the drums more syncopated, add small rhythmic gaps, let the bass answer the kick, avoid making the track busier 18. BREAKDOWN CORTO after verse 2, create a 4-bar breakdown with reduced drums and exposed vocal, then return directly to the final hook 19. INSTRUMENTAL CON ESPACIO instrumental beat, 92 BPM, warm bass, sparse percussion, one memorable melodic motif, leave space for a future vocal, no busy lead melody 20. HOOK INMEDIATO start with the central hook within the first 5 seconds, no long intro, establish the song identity immediately, then drop into verse 1